Film reviews
A24’s cult thriller Opus is yet another superficial riff on Midsommar
Ayo Edebiri and John Malkovich headline this unconvincing celebrity satire – and we’ve been here before (and too recently)
Mad About the Boy is the best Bridget Jones sequel yet
Zellweger’s Bridget is now a widow – and romanced by both Leo Woodall’s younger man and Chiwetel Ejiofor’s kindly teacher – and this sequel, adapted from Helen Fielding’s third book in her series of novels, is vulnerable, honest and very funny
Mad About the Boy is the best Bridget Jones sequel yet
Zellweger’s Bridget is now a widow – and romanced by both Leo Woodall’s younger man and Chiwetel Ejiofor’s kindly teacher – and this sequel, adapted from Helen Fielding’s third book in her series of novels, is vulnerable, honest and very funny
The romantic weepie We Live in Time makes cancer remarkably cosy
Andrew Garfield and Florence Pugh are charismatic enough to overpower the very English fantasy of this calendar-hopping love story
The romantic weepie We Live in Time makes cancer remarkably cosy
Andrew Garfield and Florence Pugh are charismatic enough to overpower the very English fantasy of this calendar-hopping love story
Barry Keoghan is charismatic and sad in the magical British drama Bird
Andrea Arnold, the filmmaker behind ‘Fish Tank’ and ‘American Honey’, has returned with a sensitive, fairytale-like coming-of-age tale
Barry Keoghan is charismatic and sad in the magical British drama Bird
Andrea Arnold, the filmmaker behind ‘Fish Tank’ and ‘American Honey’, has returned with a sensitive, fairytale-like coming-of-age tale
The Substance loses its way, but Demi Moore is sensational
Coralie Fargeat reimagines the historical misogynist ‘hagsploitation’ genre to powerful effect – at least until her film’s disgusting ending
The Substance loses its way, but Demi Moore is sensational
Coralie Fargeat reimagines the historical misogynist ‘hagsploitation’ genre to powerful effect – at least until her film’s disgusting ending
I Saw the TV Glow is queer, cool and incredibly powerful filmmaking
Finally being released on UK shores, Jane Schoenbrun’s celebrated follow-up to ‘We’re All Going to the World’s Fair’ is about how art can sometimes know us before we truly know ourselves
I Saw the TV Glow is queer, cool and incredibly powerful filmmaking
Finally being released on UK shores, Jane Schoenbrun’s celebrated follow-up to ‘We’re All Going to the World’s Fair’ is about how art can sometimes know us before we truly know ourselves
